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Ciara wrote:And I had thought about that Quincy Jones, thing, too... I know nothing about him- does he have a reputation for abuse??
I don’t think it’s been established that she is indeed in (or was indeed in) a relationship with the big QJ. My own personal opinion is that Starla is a Stalker (a stalkerla if you will). Perhaps the bruises on her arm are from QJ’s security detail since (from my opinion) she’s probably insane and trying to get close to him. Security probably has to restrain her by holding her arms.
I would hope that AD writers wouldn’t insinuate that QJ is a batterer without any evidence as such since he would probably sue them for some type of defamation or whatnot. But hey, I’m no lawyer, and if I was I would not be very good. Home run!
UniTard wrote:Yup. Blue paint and then a wine glass in Tobias’ hand.
Still not satisfied with any explanation of the bruses on Starla’s arms. Gotta be something significant, and I don’t think the writers were insinuating that Quincy was abusive.
She probably had to be physically restrained by his bodyguards.
UniTard wrote:Yup. Blue paint and then a wine glass in Tobias’ hand.
Still not satisfied with any explanation of the bruses on Starla’s arms. Gotta be something significant, and I don’t think the writers were insinuating that Quincy was abusive.
I definitely think it’s from trying to get past Quincy’s security.
balboafunzone wrote:This must be the one where the house frame almost falls on Buster.
Did anyone else get this background joke? Buster Keaton, one of the most famous comedians of early silent film did a stunt where the side of a house fell on top of him but he was standing where a 2nd floor window landed—
EXACTLY like Buster Bluth in "The One Where They Build a House." I studied Keaton in my film class, there’s no way this was a coinsidence.
That’s probably my favorite background joke. I’ll try to find a picture of it.
http://www.filmfest-braunschweig.de/img ... BillJr.gif
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